Thomas Giles- Velcro Kid After a seriously strong run of critically acclaimed Progressive Metal albums under his parent band “Between The Buried And Me” since the turn of the decade, And three solo albums in the past five years under the formal name Thomas Giles. It comes as no surprise that the first impression the album artwork invokes is another step towards his more electronic deviations. His first album under the title Thomas Giles (Pulse 2011) was the sound of an artist trying to paint new images with different strokes. It showed us that the front man is just as capable of producing slower, contemporary sounds capes without completely veering from the dramatic and varied experimentation which captivated the public’s eye in Between The Buried And Me’s early days. It also showed us just how eclectic the musician’s armoury of personal skills can be utilising elements of industrial and folk as well. 2014’s Modern Noise, Saw his metal and folk influence take a backsea...
